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Ueberschall: Trumpet 2
Trumpet 2 - Blowing Up a Storm
If you need some classic – and classy – solo trumpet lines, then look no further than Trumpet 2. Featuring the virtuoso playing of Gary Winters (the performer behind the complementary Flugelhorn library), Trumpet 2 brings you over 1.4 GB of solo trumpet samples, beautifully produced, and ready to drop into your projects.
With over 1100 loops, Trumpet 2 is organized into folders based upon the various performance options used:
- Open trumpet,
- bucket mute,
- straight mute,
- cup mute,
- harmon mute,
- plunger mute or
- wahwah mute
Whatever the style and sound you require, Trumpet 2 can deliver. Each folder contained further sub-folders with varying tempos (from 62 to 150bpm) and keys. The collection includes a combination of detailed performance options including melodic lines, gymnastic solos, sound effects, flutters and growls.
Dripping with classic jazz tone
With Elastik’s powerful and intuitive tempo and pitch manipulation tools, it is easy to construct the perfect – and truly expressive – solo trumpet performances for your own musical projects. As a perfect companion to Flugelhorn, Trumpet 2 would suit styles including jazz, easy listening or lounge but, in the right context, could easily cross over into pop, electronic or film music productions. For a touch of real musical class – and a classic jazz tone – Trumpet 2 will allow your productions to blow up a storm.
Trumpet 2 is played by Gary Winters. Gary has recorded with artists like Fred Wesley, Pee Wee Ellis, Bootsy Collins, Lenny Kravitz, and also performed with many other notable artists.
Check out his website at http://www.ggwinters.com.
Notes on SoundCloud Audio Demo
Please note that the backing tracks being used in the demo song are not part of the library. They only serve as an example for a possible application of the loops.
Review from Sound on Sound Magazine
You get two for the price of one with this review, with two closely related sample libraries from Ueberschall: Flugelhorn and Trumpet 2. Unlike the majority of the Elastik–based titles from Ueberschall, these two releases don’t follow the song–based construction-kit format but, instead, are part of their Instrument Series. What you get in each library, therefore, are a series of solo instrument phrases/licks that you can piece together to form a complete performance.
I could imagine busy media composers finding Flugelhorn and Trumpet 2 to be excellent resources when a little bit of atmospheric — and utterly convincing — solo brass is needed in an instant. Classy playing, classy sound; listen out for them in a movie soundtrack near you.
1.4 GB, 1,117 Jazz Trumpet Loops and Samples
Elastik Soundbank for Mac/PC/AU/VST/RTAS/StandAlone
Elastik Player included - no sampler required!
The Elastik Player is the ideal tool for fast and modern music production. All installed Ueberschall libraries are organized in a keyword-based browser. With the advanced pitch and stretch algorithms developed by zplane all loops and samples can be matched to any project with ease.
You can also make good use of Elastiks capabilities to stretch and pitch sounds to alter them even further. Additional features like reverse, formant or multimode filter offer lots of potential for creative sounddesign.
The given structure and features, such as labeled key signature and tempo information provide a very easy way of arranging a whole track including all the parts you need. Additionally the brand new Elastik 2 Player offers you a lot of DSP functions to adjust the phrases to further fit your productions. Elastik lets you focus 100% on creativity without having to hassle with scales and BPMs. It doesn’t matter which samples you want to combine, elastik gets the job done delivering better than expected results with ease.
This library uses Ueberschall's FREE Elastik Player
so no extra player software is required.
Click Here to Download the Free Ueberschall Elastik Player.
Ueberschall Elastik Player Manual (Click to open in a new window)
Ueberschall Elastik Player Manual - PDF
Our latest version of Elastik, developed in conjunction with zplane.development, is the most powerful that we have ever developed. It provides a complete toolkit for modern music producers working with audio loops. Audio loops can be an essential part of many musicians creative process and, with Elastik, you get a fast, efficient and flexible set of tools.
With its intuitive Loopeye editing environment, the high-quality pitch and tempo manipulation algorithms build into its playback engine, the ease with which it can be used either as a stand-alone application or as a plugin within almost any DAW on both Windows and OSX platforms and the huge collection of Elastik-ready sample libraries spanning almost every conceivable musical genre, Elastik is a powerful workstation for loop-based music creation.
While Elastik is a hugely creative tool, it also provides an extremely efficient workflow. The streamlined browser means that no matter how large your Elastik loop library becomes, you can always find just the right loop in an efficient fashion. Elastik also includes advanced features such as tagging and filtering make it easy to narrow down any search. The browser allows you to easily audition loops in realtime in sync with your project. And if you want to add new loop libraries from the Ueberschall range, the authorization process is fast and secure.
Once you have identified loops to use within your project, they can be mapped to Elastik’s virtual keyboard ready to be triggered from within Elastik, via your MIDI keyboard or from your host sequencer. A range of different triggering methods are available so you can ensure that your loops stay locked in sync with your project. Elastik’s sophisticated time and pitch shifting algorithms – featuturing zplane’s cutting edge audio processing technology - maximizes audio quality and means you have independent control over both and maximum flexibility when it comes to matching loops to the tempo and key of any project.
The engine is, however, also very efficient, meaning that you also get CPU-friendly processing. And if you want complete control over the time and pitch stretching process, the new Time tab within the Loopeye editor allows you to choose between six different algorithms, from the simple and super efficient PitchSpeed to the high quality ProV3 which gives you the maximum scope for varying pitch and tempo while minimizing audio artifacts. This tab also includes new stretching FX for additional creative options.
In addition to the pitch and tempo manipulation, Elastik’s central Loopeye forms a detailed loop-editing tool. A large number of parameters can be adjusted, including slice-based pitch-shifting, volume and pan adjustment, reverse, formant adjusted, filtered and resampled. Elastik even includes a random sound replacement function; one click of the random button and Elastik will suggest an alternative loop, providing just that bit of additional inspiration when you need it. All this can be done on the fly and without leaving the Elastik environment.
ELASTIK PLAYER REGISTRATION AND UPDATES
Elastik 2 - Registration and Activation
Elastik 2.5 Update
Elastik 2.5 Introduction
Elastik 2.6 - New Time-Engine
This library uses Ueberschall's FREE Elastik Player
so no extra player software is required.
Click Here to Download the Free Ueberschall Elastik Player.
1 GB free disc space for player and free Elastik Sounbank installation
1.4 GB Additional hard disc space according to the library size
Internet connection for product activation required (on any computer)
Mac & PC (32 Bit and 64 Bit) - AudioUnits, VST, StandAlone, AAX Native (PT 10.3.6 or newer), RTAS (32bit only)
Requires at least OSX 10.6.8 (recommended 10.9 Mavericks)
Requires at least XP (recommended WIN 7 or later)
for all systems
Serial Number (no Dongle required)
All information is subject to change. The system requirements can change at any time due to the fact that software products are continuously evolving. If in doubt please consult the software manufacturer's website for details.
UEBERSCHALL License Agreement
for Elastik Sample Player and SoundLibraries
NOTE TO THE USER: This Agreement defines the rights of use as applying between
Ueberschall Sample Service GmbH
(referred to as "UEBERSCHALL" hereunder)
and the end user. This copy of the software is licensed to you as an end user. Please read the Agreement carefully.
1.) SOFTWARE LICENSE AGREEMENT
This License Agreement relates to the UEBERSCHALL Sample Player ELASTIK, the documentation thereof and explanatory materials (referred to as the "Software" hereunder). Furthermore, "Software" hereunder defines all updates and modified versions of the software used in the future.
Any use of the Software is subject to this License Agreement.
The Software remains intellectual property of UEBERSCHALL (licensor) and shall be licensed, not sold.
UEBERSCHALL grants you a non-exclusive license in the Software, with the following scope:
a) You may do the following (the following list is conclusive):
(1) use the Software for purposes of use of the Soundlibrary(ies) licensed by you from UEBERSCHALL (e.g. looking for a suitable sound within the UEBERSCHALL Soundlibrary).
(2) transmit the Software, without remuneration, to third parties for purposes of use of Soundlibraries licensed from UEBERSCHALL.
b) You may NOT do the following (including without limitation):
(1) commercially offer the Software to third parties, or sell or sublicense it to same.
(2) modify, reverse engineer, disassemble or decompile the Software.
This license does not give you any claim to future updates or amendments of the Software.
2.) SOUNDLIBRARY LICENSE AGREEMENT
This License Agreement relates to Sound Libraries (hereunder also referred to as "Soundbank"in connection with the installation) for which you acquire a license from us (referred to as "UEBERSCHALL Soundlibrary" or as "Soundlibrary" hereunder. The sounds (or loops) contained therein are referred to as "Sound(s)" hereafter.
The Soundlibrary must be activated by a license key, before it can be used. You will receive the license key from us after payment of your license acquired from us.
General Terms and Conditions of the License
The Sounds contained in the UEBERSCHALL Soundlibrary shall remain the exclusive intellectual property of UEBERSCHALL. They shall be licensed, not sold. UEBERSCHALL grants you a non-exclusive license in the individual Sounds of contained in the UEBERSCHALL Soundlibrary. The scope of the license is defined in section 2 b) below. The license shall apply on a worldwide basis and for the duration of the copyright.
It is a prerequisite for the grant of the license that the respective Soundlibrary was acquired directly from UEBERSCHALL, from one of its authorized dealers or, subject to consent by UEBERSCHALL, from another end customer.
If your Soundlibrary is a demo-version, the following shall apply: UEBERSCHALL demo versions solely serve for purposes of demonstration and may not be used commercially; for a commercial release or any other commercial use a license must be acquired from UEBERSCHALL.
Sound combinations with the prefix "mix" and "bac" (Mix and Backing) in the file name are contained solely for purposes of immediate prelistening of an example for a combination of Sounds contained in the Soundlibrary and may solely be used by the licensee for purposes of (self-)instruction. In such aforesaid Sounds, no further rights shall be granted, including without limiation the right of use according to section 2 b).
b) Rights of Use in Detail
aa) You may do the following (the following list is conclusive):
(1) commercially or non-commercially use the Sounds for the production of music productions and as part of such music productions. Such music production include without limitation song releases, remixes, soundtracks, library music, advertising spots, jingles, commissioned works for motion pictures, theatre, musicals, computer games & multimedia. An individual Sound may not appear or resound in the original form in any music production; in order to create sufficient distance to the original, Sounds may solely be used such that a number of different Sounds from different Construction Kits or Soundlibraries are piled on each other (layers).
(2) modify the Sounds for the making of music productions.
(3) use the Soundlibrary on (no more than) one computer at a time. Furthermore, you may store one (1) backup copy of the Soundlibrary on a second computer or storage medium. For such purpose you receive 2 activation keys from us.
bb) You may NOT do the following (including without limitation):
(1) let appear or resound an individual Sound in the original form in any music production; in order to create sufficient distance to the original, Sounds may solely be used such that a number of different Sounds from different Construction Kits or Soundlibraries are piled on each other (layers).
As an exception from the foregoing, in computer games, apps or multimedia productions Sounds may appear or resound in their original form, subject however, to a separate license to be acquired from us; please contact us if you`re interested.
(2) as far as an applicable Sound in its original form is concerned, i.e. other than as part of a music production produced by the licensee, the licensee shall not
- make it available to the public or distribute it or perform it in public, whether via internet, on physical storage media or in any other manner
- commercially or non-commercially offer, sublicense, sell, rent, give away for free or barter it to third parties or make it available to third parties in any other manner
- duplicate and/or adapt it for purposes other than your own music production.
The same shall apply to any parts and/or modifications of the applicable Sounds.
(3) use any recreated version of an individual Sound in any kind or manner which is not permitted for the original Sound hereunder.
(4) recreate (from loops or otherwise) Sound combinations with the prefix "mix" or "bac" (Mix or Backing) in the file name and/or use such recreated Sound combinations in any kind or manner other than permitted for the original Sound combinations, i.e. for any purposes other than prelistening in the Soundlibrary for purposes of (self-)instruction.
(5) The present license shall not be assigned or transferred by licensee, i.e. it shall solely apply to licensee itself. Note: Should you operate a rental production studio and wish to make a Sound available (subject to the provisions of this license) to a number of customers of such studio, you are required to acquire a multi-user-license from us for such purpose. Please contact us under www.ueberschall.com for further information on this topic.
c) Third Parties' Rights
Please note that our Sounds are used in numerous music productions. Where you use an applicable Sound hereunder for the creation of a music production, it is your responsibility to investigate and/or take precautions that such music production will not conflict with any rights of third parties. This includes without limitation any third parties' rights in other music productions for the creation of which our Sound was used as well.
Neither the producer of the original sound nor UEBERSCHALL nor any dealer/distributor of UEBERSCHALL shall be liable for any direct or indirect damage or for any consequential damage resulting from the use of the Soundlibrary in whatever form.
d) Final Provisions
German law shall apply.
In relation to merchants and to licensees with residence outside Germany the courts of Hannover shall have jurisdiction for all disputes arising from or in connection with this license agreement; consumers with residence within the European Union but outside Germany can also file an action at the competent court of their residence; a consumer within the aforesaid meaning shall be each natural person who concludes the contract for a purpose that is outside its trade, business or profession.
In the event that particular provisions of this Agreement should be invalid, the validity of the remaining provisions shall thereby not be affected.